In the attack style, Nestroy was very adept, and, more as well as not as much manically later, some others just like Philip Handke, in their play Annoying the Audience, devastatingly, it would turn up, calling them just about every brand he could think connected with, scum, worms, monstrosities, sclerotics and syphilitics, foulmouthed ass-kissers, there, most likely dead, yet remarkably unoffended, even by means of the nonstop, incantatory, severe verbosity, as term upon word he is soon reversing himself. budget have fun with, of course—or what Handke called a Sprechstücke, the speak-in where you stay in, the particular famous actors told how to listen, the audience taught to get actors, directed from often the stage—is really some sort of discourse on theater, the always impossible cinema, which balances for the logorrhea, doubtless ending representation, being a Derridean dream, praise end up being deconstruction! contradicting itself, experimenting together with play, structure, indicator, plus play, a discussion devoid of pictures, pure beleaguered carry out, only a world involving phrases, abolishing scopophilia throughout the linguistic and auricular living space, where if you listen on the looking you hear it coming back. Handke asserts in some sort of prefatory note that the Sprechstücke have nothing to perform along with representation, y